In what ways can/do artists engage with archival materials—those held in institutional and community archives as well as those typically referred to as ephemera—to interrogate the aesthetic and political dimensions of cultural memory? How can/do they generate new, future-oriented archives through creative practice, research, and community-based work? To what extent can/do they enact and expand repertoires of embodied memory to build and sustain community?

The 2026 edition of the Guelph Jazz Festival Colloquium explores archival heritage as a dynamic, open-ended process. Bringing together artists, scholars, and community practitioners, it considers how archives are constituted, activated, contested, and transformed by—and in the hands of—artists engaged in improvisatory worldmaking.

Approaching archives as both accrued and curated, inherited and self-generated, the colloquium also attends to archives as living and embodied. Through presentations, creative works, and discussion, it foregrounds diverse perspectives, community engagement, experimental practices, and innovative methodologies that illuminate the aesthetic and political dimensions of cultural memory while imagining archives as sites of future possibility.

This event is free and open to all! Please RSVP by selecting a free ticket via EventBrite.

Full schedule with abstracts coming soon.